Tuesday, April 3, 2007
One of several rejected phrasings for the invitations
Angela Marie Ricci and Woody Frederick Pase, and the small fortune that they have spent over the last year making an insane, impractical dream a reality that they will no doubt look back upon with tremendous affection and declare it all to have been awesome, though at times it has carried with it a nimbus of folly, only in fiscal and logistic terms, would enjoy the pleasure of your society on June 16th, 2007, at 6pm, fifty stories above the hallowed ground of Philadelphia, and across the street from the glorious new headquarters of the generous and kindly Comcast Corporation, for the public cleaving together of inamorata and inamorato. Please, no children or heckling. Cocktails to follow immediately.
Monday, April 2, 2007
Quick, Quick...Slow
I am taking dancing lessons.
It was my idea.
In the School of Dance, I wear the Dunce Capezios. I take my own private small bus to the studio. When Karen, our personal instructor, tells me to put my left foot forward, I have to hop. I can't dance. I have never been able to, and I have always been okay with that. I have never desired to go out and dance. I believe it was Emma Goldman who said, "If I can't dance, then I want no part of your revolution." What a wonderful sentiment, however, my feeling has always been that if I can't sit on a bar stool and drink Irish whiskey for eleven hours, then I want no part of your revolution. I danced once, about ten years ago. It was at a Cibo Matto show at the Crocodile in Seattle, but as I recall, all I really did was jump up and down. I was high on ecstacy. I have always been a great admirer of Gene Kelly, and I love enormous dance numbers in movies. I weep with joy when I watch "Strictly Ballroom." And yet I have no desire to be a dancer myself.
That is until now. I am determined to not look like a total moron when I have my first dance with my wife. There is something glorious about watching two people move in synch, with focus and precision, and now, after thirty-two years of being a wallflower, I see that it is my time to shine. Our time, really, but this is going to be way less difficult for her. Over the next seventy-five days I will mold myself into something Swayzesque so that Angela and I will glide with style and grace to The Cramps cover of the Charlie Feathers classic "I Can't Hardly Stand It." Everyone in attendence will be blown away, while I silently pray that I don't hurt myself or my bride.
But I shouldn't get ahead of myself. Today we spent an hour walking in a box. It was really fucking challenging. There is all this lining up we have to do, and a frame for me to maintain, and muscle memory to build. And I'm supposed to lead. I don't do those sorts of things. I'd be happy just doing the Groucho dance, but I'm told it is not very romantic, so this Foxtrotting Two-Step thing will have to do. In pursuit of this, I spent the better part of an hour staring into my beloved's eyes repeating "quick, quick... slow" in my head. It's my new mantra. It is a device dance instructors give you to time your steps. I have been saying it all day. Just walking around. I want it to sink in and become part of me. Quick. Quick...Slow.
I can see her smiling back at me as I say it: quick, quick... slow. I feel it beginning to find purchase.
It was my idea.
In the School of Dance, I wear the Dunce Capezios. I take my own private small bus to the studio. When Karen, our personal instructor, tells me to put my left foot forward, I have to hop. I can't dance. I have never been able to, and I have always been okay with that. I have never desired to go out and dance. I believe it was Emma Goldman who said, "If I can't dance, then I want no part of your revolution." What a wonderful sentiment, however, my feeling has always been that if I can't sit on a bar stool and drink Irish whiskey for eleven hours, then I want no part of your revolution. I danced once, about ten years ago. It was at a Cibo Matto show at the Crocodile in Seattle, but as I recall, all I really did was jump up and down. I was high on ecstacy. I have always been a great admirer of Gene Kelly, and I love enormous dance numbers in movies. I weep with joy when I watch "Strictly Ballroom." And yet I have no desire to be a dancer myself.
That is until now. I am determined to not look like a total moron when I have my first dance with my wife. There is something glorious about watching two people move in synch, with focus and precision, and now, after thirty-two years of being a wallflower, I see that it is my time to shine. Our time, really, but this is going to be way less difficult for her. Over the next seventy-five days I will mold myself into something Swayzesque so that Angela and I will glide with style and grace to The Cramps cover of the Charlie Feathers classic "I Can't Hardly Stand It." Everyone in attendence will be blown away, while I silently pray that I don't hurt myself or my bride.
But I shouldn't get ahead of myself. Today we spent an hour walking in a box. It was really fucking challenging. There is all this lining up we have to do, and a frame for me to maintain, and muscle memory to build. And I'm supposed to lead. I don't do those sorts of things. I'd be happy just doing the Groucho dance, but I'm told it is not very romantic, so this Foxtrotting Two-Step thing will have to do. In pursuit of this, I spent the better part of an hour staring into my beloved's eyes repeating "quick, quick... slow" in my head. It's my new mantra. It is a device dance instructors give you to time your steps. I have been saying it all day. Just walking around. I want it to sink in and become part of me. Quick. Quick...Slow.
I can see her smiling back at me as I say it: quick, quick... slow. I feel it beginning to find purchase.
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